Although I started in clay a bit late in life, I am constantly motivated to learn more.  The process of creating in clay is fascinating to me.

I primarily use a white stoneware along with different colored slips in order to accent the glazes.  I like using porcelain slip because it shows a purer quality in the glaze. Using a white stoneware and porcelain slip allows the glazes to mature to a great brilliance and have better color clarity. I also like how the slip creates another dimension to the piece.

Hand building and altering thrown forms are some of the techniques I incorporate into creating my pottery.  On some on my pieces I have used Mesquite ash, sprinkled on top of the glaze to create a ‘sparkled’ effect. I spray from two to five glazes on each piece, then fire in a gas reduction kiln to over 2400 degrees.

My pieces are functional with the thought that they are to be used and when not in use, displayed as a form of art.  My platters are wired so they can be hung on the wall or displayed on a stand.  I use all my platters when I entertain, then wash them and put them back on a stand.  I design my pieces as sets so they compliment each other. 

I make everything from salt and pepper shakers, goblets, platters, salad sets, large urns and yard lanterns to custom designed bathroom sinks.

For the last four summers, I have attended MISSA (Metchosin International Summer School of the Arts) in Victoria, Canada.  I also attend various workshops in Las Vegas and Los Angeles. I started and named my pottery, San Gabriel Pottery, in 2000.  Since then, I have conducted workshops for various schools on hand building and wheel throwing.  Photos of my work have been Clay Time and Ceramics Monthly.  A photo of my work is also in Robin Hopper’s book, Making Marks, 2004.